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THE GREAT AMERICAN FOOD & BEVERAGE COMPANY — There
were a couple of these around Los Angeles in the early seventies...one in
Westwood, one in Santa Monica and maybe others. The two things I remember
about them are that the portions were huge to the point of being impractical —
you'd haul home about 80% of your entree and live off it for days — and
that the servers would take turns performing with a small live band. Once,
I ordered a hamburger and they brought me this footstool-sized mass of meat and
bun surrounded by enough fries to stock a McDonald's for a month.
But I was sans ketchup, and when I turned to ask our waiter for some, I
found him up on a platform, performing what turned out to be the world's longest
version of "Rubberband Man." I think he did about ninety choruses while I
failed to flag down any other employee and my burger cooled to tepid.
Finally, long after I'd given up any chance of having the hamburger the way I
liked it and had begun to eat it dry, the waiter noted the omission, hopped down
from stage and fetched me a bottle of Heinz while still performing "Rubberband
Man." It was one of those moments when you almost feel like you ought to
tip.


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LINNY'S — You can't see it that well in this picture of
Beverly Drive but the red building at left was Linny's Delicatessen, which
served the best corned beef sandwich in town. The building went through
several other tenants before turning into R.J.'s, one of the more popular places
to eat ribs in Beverly Hills. The best corned beef in the vicinity is now two
blocks to the north at Nate 'n' Al's Deli.
Also, at the far right of this photo, you can see Melody Lane,
which was a popular coffee shop of the day. It was situated at the corner
of Beverly Drive and Wilshire Boulevard. The white thing at the center of
the picture is the dome of a movie theater with an Egyptian decor that showed,
at least when I was going there, good ol' American movies. I saw
Oliver! there and The Twelve Chairs, not on the same double bill.
It was later converted into a jewelry store and was torn down completely in the
middle of 2005.

WIL WRIGHT'S — Wil Wright's was a chain of ice cream
parlors that dotted the Southern California landscape up until the
mid-seventies. There was one in Beverly Hills at the corner of Beverly
Drive and Charleville, and another in Westwood Village at the corner of Glendon
and Lindbrook. (There were others but those were two I frequented.)
They were the perfect place to take a date after the movie with delicate pink
and red decor and little marble tables and wire-frame chairs that made you feel
like you were seated inside a Valentine's Day card. I seem to recall that my dates would always order the banana split
while I
wondered about the Freudian implications of their orders. I would either have a milk shake
or a dish of Wil Wright's unique orange sherbet which resembled frozen orange
juice more than any orange sherbet I've ever had anywhere else. There is
still a Wil Wright's brand of ice cream sold in stores but I think the parlors
are all gone.


KELBO'S — There were two of these odd restaurant-bars
founded by two men, Thomas Kelley and Jack Bouck, who combined the first
syllables of their last names and came up with Kelbo's.
One, on Fairfax across from CBS Television City, was torn down and there's an
outlet of The Vitamin Shoppe at that address today. The building that
housed the other was over on Pico at Exposition. It still stands but has been
converted into a bikini bar called Fantasy Island. I haven't been inside the
latter but I'll bet they kept some of the old Kelbo's decor, which was comprised of tiki
gods, fish nets, lanterns in the shape of pineapples, and other things you could
buy at any cheap patio furniture shop to suggest a real cheesy tropical motif.
The menu at Kelbo's was not all that Hawaiian: Burgers, barbecue meat sandwiches
and some miscellaneous seafood. The concession to the islands was that
every plate was garnished with a piece of pineapple and the fried shrimp was
coated with coconut. They also served very sweet (but very good) barbecued
ribs and had a menu of tropical drinks, some of which came flaming or served in
a skull mug. About half of each restaurant was a large, dimly-lit bar that
I suppose some found atmospheric. I never saw anyone there who looked like
they might have been a hooker but given the mood, it wouldn't have surprised me.

One other thing that interested me about Kelbo's was that much of its
advertising art (though not the matchbook above or the painting below) was done by a gent named Bob Hale who
otherwise turned up on Los Angeles TV from time to time as a cartooning
weatherman. (He was also active in Seattle where he owned a popular hobby
shop that bore his name.) Hale's drawings of a fat Hawaiian guy in native
garb could be seen on Kelbo's napkins and menus, and both of their buildings had
huge murals on one side of Bob Hale cartoons. All of them also had his
little signature character, Sammy the Seagull, who was always being drawn into
his TV weathercasts, shivering or tanning himself depending on the forecast.
It was said that Mr. Hale had once had a severe drinking problem and that he
lectured and illustrated pamphlets for Alcoholics Anonymous or some
such group. Which always made me wonder why he had done so much work
promoting a place where a lot of people just went to drink.

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